Emeth – Aethyr (Review)

EmethEmeth are from Belgium and play Technical Death Metal. This is their fourth album.

Emeth tread that fine line between brutality and technicality and manage to successfully incorporate both into their savage Death Metal assault.

Ultra-aggression and lightning speed riffage work together to melt faces whilst fretboard wizardry takes the technical side of the band to new heights of carnage.

Emeth can certainly play and play well, and they’re no stranger to brutality, but what sets them apart though is that they don’t purely rely on speed and technicality; they know when to inject a bit of atmosphere and quality instrumentation into the proceedings via some sharply written riffs and colossal guitar work.

The guitar work as a whole is a particular highlight of this record; there is plenty of inventive and interesting riffs and whether they are playing fast or easing off the speed slightly everything is precise, crisp and dynamic.

The singer does a great job and has a focused growl. He picks and chooses his vocal patterns well and knows when to let the music do the talking. This is not an album where the singer is the vocal point; rather the riffs take centre stage and the vocals are an enhancement, (albeit an important one), to the songs.

What an album! A whirlwind tour of destruction and creativity. Emeth have clearly put a lot of hard work into Aethyr and have been rewarded with an extremely strong album.

Into Death Metal? You need to get this.

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